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When Â© MURAKAMI traveled to the Brooklyn Museum in 2008, the retail experience was less luxury and extra bootleg: It moved outdoors the museum to a back alley, where hired actors played the role of West African distributors who bartered knockoffâ€ luggage with guests. From their shanty stalls and derelict tarps, genuine Louis Vuitton merchandiseâ€”offered at full MSRPâ€”changed the lowbrow merchandise traditionally expected from seedy guerrilla retailers. On the one hand, the present made an overt commentary about luxury, whose artifice is not any less pretendâ€ than counterfeit designs, and about the citywide crackdown on immigrant distributors too. However then again, the black-market knockoff buy grew to become domesticated by its authentic supply, reworked again right into a model experience.